silent film ramona

Journey into Fear (1942) was her swan song to both her lover Orson Welles (the film’s producer and uncredited director) and Hollywood. She created Ramona, a half-caste Indian adopted by a wealthy Mexican-American widow, who falls in love with and marries a Native American sheep shearer, only to suffer great hardship, including the death of a child after a white doctor refuses her treatment. A copy of the print survives in the Library of Congress film archive. We are proud to present to all silent film lovers our multiple award-winning documentary! Released in 1910, the silent film was directed by D.W. Griffith, and stars Mary Pickford as Ramona and Henry B. Walthall as Alessandro. But she falls in love with Alessandro (Warner Baxter), a Native American. In only her fourth film, she played the coveted part of Charmaine de la Cognac in Raoul Walsh’s 1926 version of What Price Glory? She was ultimately unable to avoid stereotyped roles altogether—Photoplay described her in the Bizet-opera-inspired The Loves of Carmen (1927) as “raven-haired, olive-skinned sinuous-limbed Carmen”—but she escaped the fate of her her less-well-connected compatriot, Lupe Vélez, who was irretrievably typecast as a Latina sex kitten. The novel had been previously filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young. The first was a silent film by the same name, released in 1910. Interior Department agent, became radicalized after attending a lecture given by Ponca Chief Standing Bear, who told harrowing tales of forced removal from their lands in Nebraska and mistreatment by government agents. Learn about our incredible musical partners, SFSFF Preservation restores and preserves silent era films. Ramona (1910) American B&W : One reel / 995 feet Directed by D.W. Griffith. Ramona is a dramatization of Helen Hunt Jackson’s best-selling 1884 novel of Spanish colonial California of a young woman of mixed heritage and her marriage to Allesandro, a Native American. Cast: Mary Pickford [Ramona], Henry B. Walthall [Alessandro], Kate Bruce [Ramona’s stepmother], Francis J. Grandon [Felipe, Ramona’s stepbrother], W. Chrystie Miller, Charles H. West [native American man in chapel], Dorothy West, Frank Opperman, Gertrude Claire, Mack Sennett [the first white persecutor] Ramona was to be reintroduced several times. [5] An article by Indian Country Today revealed the fact that Carewe discovered del Río in Mexico and invited her to Hollywood to perform in his film. Add to iCal Add to Google Calendar. Her (wicked) stepmother pampers Felipe and openly scorns Ramona, strenuously opposing her wish to marry Alessandro, a match that would disgrace the Moreno name. Del Río had a hit with Ramona and with the title song, which the public loved even before the movie opened. In March 2015 it won the distinction "Award of Merit" at the San Francisco Film Awards. Musicians The song, performed by del Río for RCA Victor, was synched with a scene in the otherwise silent film; her version was reused for the 1936 Ramona. Learning that she is actually half-Indian reveals the source of her stepmother’s contempt yet frees her to marry. The coming of sound limited the roles Dolores could play because of her accent, but she did manage to score big in “Bird of Paradise” (1932), and “Flying Down To Rio” (1933), an … Other versions were made in 1928, 1936 and 1946. Fox told the Los Angeles Times, “I feel that I understand Miss Del Rio better than she does herself. In 1943 Del Rio returned to Mexico to continue her career. [8], "Recovered and Restored: 'Ramona,' Silent Movie by Chickasaw Filmmaker", https://en.wikipedia.org/w/index.php?title=Ramona_(1928_film)&oldid=996694463, Films based on Ramona by Helen Hunt Jackson, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 28 December 2020, at 03:32. Movie Still Photographs, Plot Synopsis and Credits for the Silent Film RAMONA, released in 1920 ~Ramona~ 1928 ~Dolores Del Rio & Warner Baxter~ ~Plot Synopsis~ The 1928 production Ramona was the third film version of the Helen Hunt Jackson novel of the same name, first dramatized (in one reel!) Helen Hunt Jackson wrote her 1884 novel Ramona as a beacon against racism and injustice, the Uncle Tom’s Cabin for the Native American. Ramona is a 1928 American silent drama film directed by Edwin Carewe. Carewe's older brother Finis Fox had written Ramona's screenplay and created its intertitles. Transferred to acetate safety stock, the restored version had its world premiere in Los Angeles in March of this year. The film depicts Ramona, who is half Native American, as she is raised by a Mexican family. Together we contrive characterizations exactly suited to her abilities and her limitations.”. Del Río’s public image became the responsibility of publicist Harry D. Wilson, whom Carewe hired to give her a makeover into a fashionable woman of, alternately, Mexican, Spanish, or Castilian heritage. Del Río’s successes in Mexico were of little help to her as she tried to make a re-entry into Hollywood, then in the grip of McCarthyism. Del Río’s relationship with Carewe became strained as the director suggested they were romantically involved, a deception the popular press helped to spread. The beautiful Mexican actress Dolores del Rio starred in another silent film version in 1928. At a time when “exotics” were played almost exclusively by Anglo actors and actresses, del Río won acceptance through careful image management by Carewe. [6], Helen Hunt Jackson and Edwin Carewe shared a goal of exposing the mistreatment of the Native Americans at the hands of the U.S. Federal Government through the means of Ramona. In 1910, director D.W. Griffith and his crew used Camulos as the set for a silent-film version of “Ramona,” starring Mary Pickford in the title role. Del Río made a rapid climb to stardom, usually playing innocents battered by fate or love (or both) into compromised circumstances. Del Río recorded the film's theme song, "Ramona." Ramona (Dolores Del Rio), raised on a Spanish rancho in 1850's California, is loved by her step brother, Felipe (Roland Drew). Fashion designer Peggy Hamilton, whose most famous client was fashion plate Gloria Swanson, created a wardrobe for del Río that ranged from traditional Spanish lace to haute couture and ensured that del Río fashion spreads appeared in women’s magazines and newspapers. Topics: Billy Bitzer, silent film, silent movie stars, classic film, old movies, silent film streaming,... Silent … Related Please make your tax-deductible donation to Rancho Camulos Museum today. Del Río’s relationship with Carewe became strained as the director suggested they were romantically involved, a deception the popular press helped to spread. by D. W. Griffith in 1910. "[3], An article published by UCLA revealed that the 1928 film is believed to be the most authentic of the five film adaptations of Ramona since the director Edwin Carewe was part Chickasaw and Dolores del Río was raised in Mexico. Henry B. Walthall as Alessandro and Mary Pickford as Ramona in 1910 silent film. [2]:286, Mordaunt Hall of The New York Times found much to praise in what he called "an Indian love lyric": "This current offering is an extraordinarily beautiful production, intelligently directed and, with the exception of a few instances, splendidly acted. FEEL FREE TO FOLLOW US ON TWITTER @SilentFilmGems "Ramona", A Story of the White Man’s Injustice to the Indian, is a short drama featuring Billy Bitzer, a star of Silent Hall of Fame. The film deals with complex issues of race and was adapted from a best-selling book by Helen Hunt Jackson, first published in 1884. Instead, it became a best-seller on the strength of its central romance and picturesque rendering of Southern California. The San Francisco Silent Film Festival is a nonprofit organization dedicated to educating the public about silent film as an art form and as a culturally valuable historical record. Filmed April 1 and 2, 1910, D.W. Griffith’s adaptation of Helen Hunt Jackson’s novel, “Ramona,” is the earliest film known to have been made in the Santa Clara River Valley. This was the first United Artists film with a synchronized score and sound effect, but no dialogue, and so was not a talking picture. Ramona, however, failed to accomplish its author’s mission. The novel had been previously filmed by D. W. Griffith in 1910 with Mary Pickford, remade in 1916 with Adda Gleason, and again in 1936 with Loretta Young. The scenic effects are charming. The Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress later transferred Ramona’s highly flammable original nitrate film to acetate safety stock. , silent film Ramona ( 1928 film ) '' the following 5 files are this... Wurlitzer pipe organ Mighty 1924 Wurlitzer pipe organ © 2019 San Francisco film Awards racism in culture... Director Edwin Carewe ) with Dolores del Rio returned to Mexico to continue her.... 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